In a mode borrowed from mathematics, I use “ersatz speculation” to pose unlikely hypothesis in order to generate “error data” (evidence of folly) that provokes a spontaneous generation of a second ersatz formation, where there is then a presence of “outward” speculative adventure combined with “reality consciousness.” Drawing from the tradition of fou-litérature, what Lewis Carroll referred to obliquely as “litterature,” conversation proceeds within a thin layer separating tongue-in-cheek irony and mantic discovery, never saying which. Although the writers of Romantic Irony sought refuge in the fairy tale, I retreat into the fake fortresses of academic form, the critical essay where, as Lacan would advise, “criticism of the cut” meets “criticism by punctuation.” Together, these forms mimic the principle features of projective geometry’s “self-intersection” (punctuation) and “non-orientation” (the cut). The laminar structure of the cut is about loft and parallelism, the need to create an orthographic map that, in falsifying the surface along which it must travel to represent and represent to travel, inadvertently creates a silent middle, a “no-man’s land,” just as in World War I, the overlap of the two armies’ fronts created a zone where deserters from both sides formed self-sustaining multi-national utopias able to survive fire from both sides.
No Man’s Land was orthographic in that, by the mechanisms of emergence, a “true” version of what the armies could not achieve appeared out of dialectic opposition. This variation on the theme of the Hegelian Absolute is simultaneously anamorphic (what is sought is what has been “hidden there all along”) and virtual (the space of this hiding is itself hidden). Because one aspect depends on the other, we must use the new ideas of “co-virtuality” and “co-anamorphosis.”
The notes will be one-sided (made while in conversation) but largely provoked by my conversants’ projects — papers, dissertations, projects, etc. The absence of one party of the conversation will create an unavoidable fragmentation, as when in a movie someone is speaking on the telephone but the speaking partner is unheard.
• Conversations with Jodi LaCoe and Berrin Terim
In a series of readings of Lacan’s Seminar XIV (Fantasy) a number of unexpected themes have emerged: (1) the motto ex falso sequitur quodlibit, or “from the false, everything”; (2) a short exposition on the “see-saw” relation of the suppressed signifier and the symptom using the metaphor formula, (3) a distinction of Euler circles from Venn to define the vesica void, union without intersection, and (4) the assertion that the structure of fantasy is the structure of the signifier as such — with an implicit acknowledgement that the signifier is fundamentally metaphoric in its chiastic relation of suppression and symptom.
• Conversation with Francesco Proto
This working paper looks at Lacan’s RSI domain system to focus on the “thaumatropic” function of the Imaginary, as converting the function of the “perpetually absent ring” (in the Borromeo knot representation of RSI) to the functions of “co-anamorphosis” and “co-virtuality.” Thanks to work by Dan Collins in explicating the (inadequate) idea of knowledge as justified true belief (“A Short Digression on the Meaning of Knowledge,” Lacuna 18, June 2019), the theme of paralysis in Plato’s parable of the Cave can be read as an account of the role of idempotency in dreams as well as ethnographic examples, as the logic of the boundary — both an insulation and conversion device.
In the latest addition/edition to this rambling scramble over the RSI’s mappability, the idea of apophasis, the Medieval rhetorical practice of describing something by saying what it is not, was added, thanks to Elaine Kunze’s random comment about something she was reading in The London Review of Books. This is pure zairja! Apophasis is the orator’s version of “symmetrical difference,” which opens up new territory that includes the funny après coup of Genesis, that the first day is not described and the last day is God’s time off, the sabbatical. In this “twist of the two remainders,” we have the idempotency function of x+x=x, which happened to be exemplified in the February 18 seminar on Rear Window, the discussion about the status of the wedding ring, which can be called a circuit measured by 360º, 180º (one of a pair), or 720º (also implication of a double). These circuits return (hah hah) us to the issue of seeing (180º) implying being seen (+180º, or 360º … or is it 720º?). Armed with such speculations, we can return to Lacan’s classic diagram of the gaze, two intersecting triangles, and feel more confident that we might be able to say something about the screen that divides/joins them.
If you would like to weigh in on this conversation, send in notes or, better, a list of issues that push the claim that there is a “mappable RSI,” or that there is a “Gettier RSI,” or whatever else might come to mind. The current discussion looks at the surfaces between representation and the surfaces of human action, orthography, and the weird idea of idempotency as a buffer and reversal machine. Even more challenging is the issue of the lipogram in relation to the map’s “failure” to map the unmappable — psychosis and perversion.